Nizamuddin Dargah is Holi Place in Delhi. The complex of the dargah is an excellent amalgam of red stone and white marble and was worked in the year 1526. Hazrat Nizamuddin Dargah looks to spread the Sufi custom which depends on otherworldliness and perspectives all religions as equivalent. As a ramifications of the equivalent, individuals of all religions are permitted to offer their regards to the grave of the extraordinary holy person, and they do visit the holy place in the tallies of thousands consistently. The tombs of numerous other individuals Mughals, for example, Jahan Ara Begum and Inayat Khan are likewise present in the premises of the dargah. The tomb of lyricist Amir Khusro (supporter of Hazrat Nizammudin) is additionally arranged inside the Nizamuddin Dargah complex.
A vibe of otherworldliness and quietness is by all accounts ubiquitous at the Hazrat Nizamuddin Dargah, where you can discover crowds of lovers even in the later hours of the night. The soul of administration is typical here, and a langar or free network kitchen is held each Thursday and Sunday for the fans where just veggie lover nourishment is served. Hazrat Nizamuddin Dargah additionally plays host to qawwali and a Sufi singing session on Thursdays and Saturdays and various Sufi artists come here to pay their reverence. One can without much of a stretch invest hours of their energy tuning in to the sweet versions of the qawalls, or just consider the celestial under the Hazrat Nizamuddin Dargah sky.
Nizamuddin Dargah Images, Photos
Nizamuddin Dargah Timings
The best time to visit dargha is March and October
Timings : 05:00 AM- 10:30 PM
Nizamuddin Dargah Entry Fee : Free
Nizamuddin Dargah Architecture
The structure of Hazrat Nizamuddin Dargah is a case of adoration and dedication. The tomb is embellished with many-sided marble grid screens called ‘jalis’ and marble curves. It is accepted that on the off chance that you wish for something and tie a heavenly string at this jali, your desire will be satisfied by the Lord himself. A superb wooden entryway prompts the Hujra-e-Qadeem which is saved for the selective sama’ (qawwali) social affairs of the Sufi. A divider directly outside the room is decorated with a calligraphy by Urdu writer Allama Iqbal applauding Nizamuddin Aulia. Directly before the holy person’s grave lies the last resting spot of Jehanara. There is a yard in the center and engravings in Farsi all around. Inside the fundamental tomb, the sacred sanctum is secured with perfumed dim green material. Enthusiasts offer their petitions and wishes by showering blooms and lighting the incense sticks before the place of worship. The stupendous engineering overflows the appeal of spiritualist Sufi conventions, which is about mankind and love.